by John Cariani
directed by Professor A. Glen Gourley
Thursday – Saturday, October 19-21, 2017, 7:30 pm
Fine Arts Theatre, Hyman Fine Arts Center
The Francis Marion University Theatre will open its 2017-2018 season with John Cariani’s Love/Sick.
THE STORY: A darker cousin to Almost, Maine, John Cariani’s Love/Sick is a collection of nine slightly twisted and completely hilarious short plays. Set on a Friday night in an alternate suburban reality, this 80-minute romp explores the pain and the joy that comes with being in love. Full of imperfect lovers and dreamers, Love/Sick is an unromantic comedy for the romantic in everyone.
“Sometimes playwright John Cariani looks at the world—actually the worlds—of love and relationships through rose-colored glasses. Just as often he views those worlds through lenses tinted a middling-to-dark-gray or maybe a jaundiced yellow…While poking fun at the happily-ever-after notion by means of a strong dose of happily-never-after, Cariani shoots his cockeyed valentines with a quiver full of funny lines. He knows how to keep audiences laughing while passing along disappointing news.” —The Huffington Post.
“…Whimsical romantic comedy. In the nine vignettes that make up [the] play, couples meet [or] break apart or learn to love each other more…the jokes here are easygoing and snark-free.” —The New York Times.
“[Love/Sick brings] to light the complexity of communication and what it means to not only love someone else, but yourself as well…Truly beautiful.” —TheSource.com.
“A dark, amusing look at romance… strikes just the right balance between wisdom and whimsy…light, bright, anti-romantic, and engaging.” —The Hartford Courant.
“Entertaining and fun. A satisfyingly dark look at this thing we call love.” —BroadwayWorld.com.
directed by D. Keith Best
Performing Arts Center/Downtown Florence
February 7-10, 2018
7:30 pm Wednesday-Friday, 2:00 pm Saturday
The Francis Marion University Theatre’s winter production will be Moliere’s The Miser directed by professor Keith Best.
THE STORY: The widower Harpagon, so cheap he’d swipe the pennies off a dead man’s eyes, rules his roost with a tight, iron fist. His son, Cléante, has fallen in love with the beautiful but penniless Mariane; his daughter, Elise, has secretly promised to wed Valère, a young charmer of unknown parentage who has flattered his way into being Harpagon’s chief steward. When Harpagon reveals his plan to wed Mariane himself and yoke Elise to the wealthy but aged Seigneur Anselme, children, suitors, disgruntled servants, and the wily Jill-of-all-trades Frosine conspire to foil him. The miser’s treasure is stolen from its backyard hiding spot, and Harpagon rounds up all the suspects—including the audience—and threatens torture and imprisonment. Only the last-minute arrival of Seigneur Anselme, bearing secrets of his own, can unite the proper couples and restore Harpagon to his one true love—forty-thousand pounds in gold.
Harpagon.........................Malcolm Parker Cléante..........................Kevin Holloway Valère.......................Christopher Steele Master Simon/La Merluch........Jessica Sistrunk Master Jacques.................Indianna Watford La Flèche........................Charday Sparks Brindavoine/Anselme............Arielle Thompson Élise.............................Melissa Gragg Marianne..............................Joy Price Frosine.........................Aaliyah Broadus
“…highly accessible new translation…takes bold chances without ever losing sight of Molière’s original intent…A MISER in which more is always more—what could be more fitting for a play about greed?” —Sun (Baltimore).
“The saucy serving of THE MISER…is for those who like their French fare spicy and au courant. The veteran translator James Magruder provides a burlesque kick to Molière’s 336-year-old farce, and the result is a delectable evening of shameless off-color gags and timeless double-entendres.” —Washington Post.
“Magruder has done a wonderful job of tweaking and freshening the 17th-century French farce. It is downright beautiful to behold and marvelous to hear…this [play] is laugh-out-loud funny, and the topical references are fresh, not forced.” —Baltimore Guide.
“…[THE MISER] is generous in its amorous plotting and slapstick-level humor. It’s so fast and silly that no dust could possibly settle on Molière’s classic play. Much of that lively spirit is due to a new translation and adaptation by James Magruder…though still presented as a period piece, this translation isn’t afraid to speak in today’s language…you’ll laugh at every scheme and revelation along the way.” —Lifetimes.com.
by Steven Dietz
directed by Dr. L. Dawn Larsen
Fine Arts Theatre, Hyman Fine Arts Center
7:30 pm Thursday-Saturday, April 12-14, 2018
The Francis Marion University Theatre will close its 2017-2018 season with John Cariani’s Love/Sick.
THE STORY: ROCKET MAN is a serious comedy about the road not taken. Donny Rowan has placed everything he owns on his front lawn, along with a sign that reads: “Here’s my life. Make an offer.” He has cut a skylight into his attic and placed his E-Z Boy recliner underneath—where he can sit, staring at the stars. Somewhere in the universe, Donny believes, is a place where all the roads we never chose converge. ROCKET MAN explores one man’s obsessive desire to find this “parallel world”—and the profound effect of his decision on his family and friends.
“Incredibly creative and daringly different, be prepared to embark on a voyage into those secret spaces within in the human mind which most of us never unlock.” —Arizona Daily Wildcat.
“An engaging investigation into one man’s crisis of faith and the consequences of his actions.” —Arizona Daily Star.